Photoshop users and fashion industry critics have been getting a kick out of this recent viral video. In only five days, it has collected over 2.4 M views on Vimeo and close to another 2 M on YouTube. The tagline is:
“This commercial isn’t real, neither are society’s standards of beauty.”
Northern California filmmaker Jesse Rosten regularly directs imaginative commercials professionally. He uses his talents here to reveal the trend to create unrealistic advertising in the beauty industry. Photographers and designers, who are very aware of the techniques, will laugh at the packaging of the various photo retouch effects commonly used to transform images.The music, editing, lighting, narration and other elements imitate a real commercial, including amusing motion graphics and marketing jargon.
Underlying the parody is a serious message that has been in the news, as eating disorders affect young women trying to emulate the impossibly thin models in advertising, and some questionable photo retouching practices have been identified. The fashion industry may be prevented from deceptive practices, with governments in Norway, England and France considering taking action to legislate warning labels on altered images, as reported in the Washington Post.
“There is only one way to look like a real cover girl . . . maybe she’s born with it — Uh, I’m pretty sure it’s fotoshop!”
A behind the scenes look at the making of the fotoshop video is also worth watching because was created using the same techniques as professional commercials:
The large, reflective umbrella with hand wired 1,000 watt halogen light bulb clip comes with a warning not to try this at home. Looks like a RED camera was used and some techniques with backdrops and fans to create wind are shown. The crew and make-up artists got into the spirit of the shoot with some funny comments and Jesse Rosten appears briefly.
Ideal for photography enthusiasts looking for the highest image quality in a compact, point-and-shoot design, the Canon PowerShot G1 X camera features the largest sensor to date for a Canon point-and-shoot model. The camera has a brand new, large 1.5-inch (18.7 x 14mm), 14.3-megapixel High-Sensitivity Canon CMOS sensor, delivering shallow depth of field, a wide dynamic range, an ISO range of up to 12800 and incredible light gathering ability helping to ensure brilliant images in even tough low-light conditions. Featuring an amazing Canon lens with 4X Optical Zoom, an aperture of f/2.8 to f/16 for beautiful images when shooting portraits and amazing clarity when shooting landscapes along with wide-angle capabilities starting at 28mm, the PowerShot G1 X camera makes certain that users will have the right optics for most any situation. Now available for pre-order here at B&H
Canon Powershot G1X with Large Sensor
Further adding to the EOS-like feature set of this new model is 14-bit, RAW+JPEG shooting and compatibility with accessories such as Speedlite, Macro Twin Lite or the Macro Ring Light flashes. HDR Shooting has been included to ensure the best possible shot is captured as well. The PowerShot G1 X camera also shoots in Full HD 1080p video ensuring memorable moments are captured in the highest quality.
The Canon PowerShot G1 X camera has a bright, large 3.0-inch vari-angle LCD with 922,000 dots of resolution providing photographers with the highest quality available in a point-and-shoot. The inclusion of the Mode Dial on the top of the camera and the Front Dial helps provide more intuitive control of the camera.
The estimated selling price of the Canon PowerShot G1 X camera is $799.99 and is scheduled to be available in February. Now available for pre-order here at B&H
We just made an important and exciting upgrade. For all of you visiting us from smartphones and tablets, the site is now tailored to shine on those devices too! Many adjustments have been made so articles can be read easily from any screen size. So wherever you are, our photography tips can be accessed quickly and conveniently. Stay tuned!
The New 16.2 Megapixel Nikon D4 Wields a Formidable Fusion of Swift Performance, Battle-Tested Technologies and Innovative New Features to Create High Caliber Photo and HD Multimedia Content
Jan. 6, 2012 – PRNewswire: The new Nikon D4 digital SLR builds upon the legacy of the proven Nikon flagship D-SLRs before it, engineered to give today’s professional multimedia photographers a new apex of speed and accuracy with unparalleled image quality, low-light capability and Full HD video. The Nikon D4 hosts a multitude of advanced new features and useful functions that deliver speedy performance and amazing image quality for when missing the shot is not an option. Now available for pre-order here at B&H
Nikon presents their new flagship DSLR: The D4
Every aspect of the new Nikon D4 D-SLR has been designed to emphasize rapid response and seamless operation to help professional photographers consistently capture incredible content. Nikon’s proven 51-point AF System has been further enhanced for maximum speed in a variety of challenging shooting situations, even at 10 frames per second (fps). Considered the new Nikon flagship, the D4 renders supreme image quality, a feat accomplished with a new 16.2-megapixel FX-format CMOS sensor, coupled with the latest generation of Nikon’s EXPEED 3 image processing engine to help produce images and videos with stunning clarity and color.
Photographers are also able to shoot in even the most challenging environments and lighting conditions with the assistance of Nikon’s new 91,000-pixel 3D color matrix meter and a broad ISO range from 100 to a staggering 204,800 for low-light capture like never before. The Nikon D4 is engineered for the modern professional and incorporates never before seen HD-SLR video features for those who also need to capture multimedia content from the field.
“Speed without accuracy is irrelevant,” said Bo Kajiwara, director of marketing, Nikon Inc. “The status of a Nikon flagship camera is not given lightly; this next generation of Nikon’s most professional body exceeds the needs of a wide variety of both still and multimedia professionals that rely on Nikon to make their living. Besides overall performance and burst speed, the D4 provides Nikon’s most advanced AF system to date, as well as enhanced workflow speed to give professionals the edge in the field.”
Velocity Meets Versatility
Speed is a necessity for today’s multimedia photographer as milliseconds matter when the action commences. Whether an assignment relies on fast processing power, burst rate, write speed, enhanced workflow or even streamlined camera controls, the D4 is the epitome of professional-caliber photographic horsepower. Ready to shoot in approximately 0.012 seconds, the new Nikon D4 can capture full resolution JPEG or RAW files at up to 10 fps with full AF / AE or up to 11 fps with AF / AE locked. Immediately before image capture, the camera interprets data from the AF sensor, including subject color as detected on the 91,000-pixel RGB sensor, to deliver consistently tack-sharp focus frame after frame. Whether a photographer is shooting a full-court fast break under gymnasium lighting or the downhill slalom in the bright sun and frigid temperatures, the D4 will instill the confidence with consistently great results.
The Advanced Multi-Cam 3500 AF autofocus system is the next generation of Nikon’s proven 51-point AF system. The fully customizable system offers users the ability to capture fast moving subjects and track focus with precision or select a single AF point with pinpoint accuracy. The Nikon D4 D-SLR aligns 15 cross-type sensors in the center to detect contrast data in both vertical and horizontal planes. In addition to detecting each AF-NIKKOR lens with an aperture of f/5.6 or lower, the camera also utilizes nine cross-type sensors that are fully functional when using compatible NIKKOR lenses and TC14E or TC17E teleconverters or a single cross-type sensor when using compatible NIKKOR lenses and the TC20E teleconverter with an aperture value up to f/8, which is a great advantage to those shooting sports and wildlife. For maximum versatility in situations such as photographing nature from afar or competition from the sidelines, photographers are also able to select multiple AF modes, including normal, wide area, face tracking and subject tracking, to best suit the scene.
The Nikon D4 D-SLR also employs a new 91,000-pixel RGB 3D Color Matrix metering system that meticulously analyzes each scene and recognizes factors such as color and brightness with unprecedented precision. This data is then interpreted and compared against D4′s on-board database to implement various settings, resulting in vibrant images with faithful color reproduction and balanced exposure. In addition, this new AF sensor now has the ability to detect up to 16 human faces with startling accuracy, even when shooting through the optical viewfinder, allowing for correct exposure even when the subject is backlit. Additionally, to capture every brief moment from a bouquet toss to a photo finish under nearly any condition, the 51 focus points deliver fast and accurate detection down to a -2 EV with every AF-NIKKOR lens.
All of this image data is funneled through a 16 bit pipeline and are written to dual card slots which have been optimized for the latest UDMA-7 Compact Flash™ cards, as well as the new XQD™ memory card. The D4 is the first professional camera to harness the capabilities of this new durable and compact format, which offers blazing fast write times and extended capacity essential for multimedia professionals shooting stills and video.
Image Quality That Hits the Mark
The heart of the new D4 is the Nikon-developed 16.2-megapixel FX-format (36 x 23.9mm) CMOS sensor that provides amazing image quality, brilliant dynamic range and vivid colors in nearly any lighting condition. By achieving the optimal balance of resolution and sensor size, professional photographers will realize exceptionally sharp, clean and well saturated images throughout the entire ISO range.
Like the D3 and D3s before it, the Nikon D4 retains Nikon’s status as the sovereign of low-light capture ability, with a native ISO range from 100 to 12,800 ISO, expandable from 50 (Lo-1) to an incredible yet usable 204,800 (Hi-4). From a candlelit first dance to nocturnal wildlife, the large 7.3 micron pixel size absorbs the maximum amount of light to excel in any situation. Additionally, the sensor’s construction features a gapless micro-lens structure and anti-reflective coating which further contributes to images that retain natural depth and tones with smooth color gradation. For ultimate versatility, photographers can also take advantage of the camera’s extreme high ISO ability while recording video.
Another factor contributing to the camera’s rapid performance and stellar image quality is Nikon’s new EXPEED 3 image processing engine that helps professionals create images with amazing resolution, color and dynamic range in both still images and video. From image processing to transfer, the new engine is capable of processing massive amounts of data, exacting optimal color, perfect tonality and minimized noise throughout the frame.
There are also a variety of shooting options available to help capture the highest quality images and video. In addition to standard NEF (RAW) files, the D4 is also capable of shooting smaller compressed RAW files to ease storage and speed up workflow. Users are also able to capture even more dynamic range with the in-camera High Dynamic Range (HDR) function that merges consecutive exposures. For deep contrast and further tonality, Active D-Lighting can also be activated during shooting for balanced exposures even in backlit scenes. Additionally, the camera features a dedicated button for quick access to Nikon’s Picture Controls, allowing users to quickly select one of six presets.
Professional Multimedia Features
The Nikon D4 D-SLR is engineered with innovative new features for the multimedia professional that needs the small form factor, low-light ability and NIKKOR lens versatility that only an HD-SLR can offer. The new features add functionality for those professionals looking for the best possible experience to capture a moment in Full HD 1080p video at various frame rates, providing footage that is more than suitable for broadcast.
Full HD video recording – Users have the choice of various resolutions and frame rates, including 1080p 30/24fps and 60 fps at 720p. By utilizing the B-Frame data compression method, users can record H.264 / MPEG-4 AVC format video with unmatched integrity for up to 20 minutes per clip. This format also allows for more accurate video data to be transferred requiring less memory capacity. The sensor reads image data at astoundingly fast rates, which results in less instances of rolling shutter distortion.
Full manual control of exposure – Shutter speed, aperture and ISO can be changed while recording to adapt to lighting and alter depth of field for professional cinematic results that help realize a creative vision.
Uncompressed output: simultaneous Live View – By using the camera’s HDMI port instead of the CF or XQD card, users can stream an uncompressed full HD signal directly out of the camera. This footage can be ported into an LCD display or appropriate external recording device or routed through a monitor and then to the recording device, eliminating the need for multiple connections.
Audio recording for professionals – The Nikon D4 features a stereo headphone jack for accurate monitoring of audio levels while recording. Output can be adjusted in up to 30 steps for precise audio adjustment. The D4 offers high-fidelity audio recording control with audio levels that can be set and monitored on the camera’s LCD screen. The microphone connected via the stereo mic jack can also be adjusted with up to 20 steps of sensitivity for accurate sound reproduction.
Multi-area Mode Full HD Video: FX/DX, and 2.7x crop mode at 1080p video modes – Whether shooting for depth of field in FX format mode, or looking for the extra 1.5X telephoto benefits of DX mode, the high resolution sensor of the D4 allows videographers to retain full 1080P HD resolution no matter what mode they choose. With the 2.7x crop, users can experience ultra-telephoto benefits in full HD resolution all at 16:9 aspect ratio.
Simultaneous live view output without display / simultaneous monitor – Shooters have the option to send the display signal directly to an attached monitor via the HDMI port. This signal can be viewed on the camera’s LCD screen and external monitor simultaneously. Additionally, the image data display can be cleared from the screen, to remove distracting data or when feeding a live signal.
Full-time AF – In addition to manual focus, four modes are available, including normal, wide area, face detection and subject tracking, which uses fast contrast detect AF to accurately focus while recording video and in live view.
New LCD screen – The large high resolution 3.2-inch LCD screen is 921K dots, and includes auto brightness adjustment. Users can also zoom in up to 46x to check critical HD focus.
Time lapse shooting – This new feature combines a selected frame rate and “shooting interval” in a dedicated time lapse photography menu. Playback can be achieved with a wide variety of speeds from 24x to 36,000x while producing a fully finished movie file output for faster multimedia workflows.
Remote shutter operation – Using dedicated Movie Custom Settings, recording can be set to be engaged by the shutter release button -users can now use a variety of remote accessories to trigger video recording.
NIKKOR lens compatibility – The highest caliber optics are vital to creating HD images and Nikon is the world leader in optics manufacturing with a legacy spanning more than 75 years. Nikon has a vast NIKKOR lens system, with more than 50 lenses with a variety of focal lengths and features, including VR II vibration reduction.
Professional Construction, Superior Operability
The reputation and respect bestowed upon a Nikon D-Series flagship camera is earned from those who use it; therefore the chassis of the Nikon D4 is machined from magnesium alloy for maximum durability and reliability. The body of the camera is sealed and gasketed for resistance to dirt and moisture, as well as electromagnetic interference. Photographers are able to easily compose through the bright optical viewfinder, which offers 100% frame coverage. The shutter has been tested to withstand 400,000 cycles for maximum durability, while sensor cleaning is employed by vibrating the OLPF. The self diagnostic shutter unit also encompasses a mirror balancer to minimize the residual “bounce” to enhance AF and extend viewing time. What’s more, the viewfinder is coated with a new thermal shield finish which works to resist overheating during prolonged use, enhancing overall reliability. Users can easily compose on the camera’s wide, bright and scratch resistant 921,000-dot high resolution 3.2-inch LCD screen.
The overall controls and operability of the camera has also been engineered with a renewed emphasis on speed and functionality. During critical moments, users will appreciate refined button layouts with renewed ergonomics, such as a quick AF mode selector placed near the lens mount for fast access on the fly. A new joystick style sub-selector is also placed on the camera’s rear for AF point and option selection, while vertical controls have been enhanced for improved operability. Finally, to continue the D4′s moniker of the best tool for just about any condition, key control buttons on the back of the camera can all be illuminated, making the camera simple to operate in complete darkness.
Nikon has also made enhancements to overall workflow, adding options to streamline the process and maximize shooting time. Users are now able to automatically generate IPTC data for their images and image sets, making organizing and chronicling images easier for both the photographers and their editors. A wired Ethernet port is also utilized so that a user can shoot tethered and transfer images easily and quickly to clients. Nikon has also introduced the new WT-5A wireless file transmitter, to transmit via FTP server or computer. The device can be set to transfer either automatically or manually selected images. This device also allows for remote operation of the camera using Nikon’s Camera Control Pro 2 software. A mobile application is also in development to control the camera using this accessory, which will include the ability to trigger the shutter and record video, making this a must-have remote accessory for many professionals.
Topaz just initiated a year end sale for this last week of 2011. Starting today, you can save 30% on the Topaz Bundle and ALL Bundle upgrades. So, if you didn’t get everything you wanted for Christmas or if you still have some gifts to give, then be sure to take advantage of this ONE WEEK special. Just enter the coupon code “YearEndSavings” when purchasing.
Why have just one moonset and one sunrise when you can have two of each? This is a 28 hour time-lapse shot from one location captured by Gerald Donovan. It consists of 3359 individual photographs:
Discussion with the Photographer:
1. I hear day to night transitions are tricky to get right. Any tips for newbies?
The entire timelapse was shot on aperture priority and fixed ISO. It’s important to make sure that you set a combination of aperture and ISO that will allow the camera to take shots at the brightest time of day without hitting the camera’s fastest shutter speed limit, and will also not require a shutter speed longer than the timelapse interval when it’s dark. This was shot at f/5.6 and ISO320. Fastest shutter speed was 1/2500, slowest 6 seconds.
2. What is that band of light seen traveling down the tower at 0:02 and again at 2:05?
This video was released in the last few days and has been generating a great deal of buzz and discussions about the potential possibilities of stop motion techniques. It’s creators have not revealed their equipment or methods so people are just speculating on the details at this point. Take a moment and enjoy:
Created by Steven Briand with Luca Fiore. Music by Nodey & Omar. Sound design by Moritz Reich.
Stop Motion Defined:
Also called stop-action photography, stop-motion cinematography. a special effect, carried out while shooting, in which the performers stop their motion and the camera is stopped while an object or performer is added to or removed from the scene, with camera movement and action then resumed for the remainder of the scene: used to create an illusion of sudden appearance or disappearance of persons or objects.
New York photographer Brian DeFrees recently set out on a roadtrip around the United States with the goal of creating a time-lapse to chronicle his journey. He traveled 12,225 miles while capturing a photo every 5 seconds with his Canon 60D. Take a moment to watch this video which will carry you across the United States and back in 5 minutes:
He mounted the camera just below the rear view mirror along with an intervalometer which controlled the camera’s rate of picture taking. He captured 200,000 individual photographs and combined them into the previous video which has turned into a viral hit on YouTube.
In total, he crossed at least 32 states in 55 days:
12,225 mile time-lapse roadtrip around the United States
When he was parked for the night or exploring an area on foot he was constantly time-lapsing. Here is a collection of the time-lapses he captured while outside of his car during the trip:
This now viral video released in the last few days has been stunning viewers worldwide. It was created using multiple time-lapse sequences of photographs captured with a special low-light 4K-camera by the astronaut crew of expedition 28 & 29 on-board the International Space Station from August to October, 2011. Take a moment and enjoy (for those of you reading this by email, you can see the video here):
Shooting locations in order of appearance:
Aurora Borealis Pass over the United States at Night
Aurora Borealis and eastern United States at Night
Aurora Australis from Madagascar to southwest of Australia
Aurora Australis south of Australia
Northwest coast of United States to Central South America at Night
Aurora Australis from the Southern to the Northern Pacific Ocean
Halfway around the World
Night Pass over Central Africa and the Middle East
Evening Pass over the Sahara Desert and the Middle East
Pass over Canada and Central United States at Night
Pass over Southern California to Hudson Bay
Islands in the Philippine Sea at Night
Pass over Eastern Asia to Philippine Sea and Guam
Views of the Mideast at Night
Night Pass over Mediterranean Sea
Aurora Borealis and the United States at Night
Aurora Australis over Indian Ocean
Eastern Europe to Southeastern Asia at Night
Equipment Used (About 4k Cameras):
Many reader’s have been inquiring about which 4k camera was used to capture this footage, but unfortunately that information has not been released. It is rumored that they used a custom designed camera (proprietary technology) to excel in low light conditions like this. 4K refers in general to a resolution of approx 4096 X 2160 and is a coming standard for high end video cameras and possibly new DSLR’s. Compare that to HD resolution of 1920 X 1080. 4K is a step up from 2K in terms of scanning motion pictures shot on film (the few that still are shot on film.) Higher resolution scans mean better imagery, but also require more storage.
